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David F. Sandberg's time-loop horror clusterfuck is like watching someone play Russian Roulette with a Rubik's Cube whilst being chased by a photocopier that's achieved sentience...
Yes, the lead actress is good. Yes, kids might enjoy it. Yes, someone on the production team probably had the best of intentions. But intent doesn’t...
Final Destination: Bloodlines isn’t bad. It's just missing the atmosphere—the creeping, skin-prickling feeling that you’re being watched by something inescapeable.
Yes, there are some solid gothic visuals. Yes, Willem Dafoe is fun. But those things don’t make up for a film that’s so self-indulgent that it...
Did the film make me think? Yes, but only in the why did I bother? sense. Did it leave an impact? Sure—an impact in the way...
Moana 2 takes us back to the breathtaking world of Oceania, but unfortunately, this follow-up feels more like a haphazard detour than a grand voyage. Directed...
Beetlejuice Beetlejuice delivers a few laughs and plenty of nostalgia, but it’s more of a one-time romp than a classic rewatch.
Speak No Evil is a horror-thriller that does exactly what it sets out to do. It’s an unflinching exploration of social tension and psychological dread, guided...
By the time the credits roll, the only thing you’re left with is the sense of relief that it’s finally over. Hellboy (2019) is, in a...
This Salem’s Lot is a fine enough way to kill a couple of hours, but it feels more like a highlight reel than a full adaptation.
