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Beetlejuice Beetlejuice delivers a few laughs and plenty of nostalgia, but it’s more of a one-time romp than a classic rewatch.
Speak No Evil is a horror-thriller that does exactly what it sets out to do. It’s an unflinching exploration of social tension and psychological dread, guided...
By the time the credits roll, the only thing you’re left with is the sense of relief that it’s finally over. Hellboy (2019) is, in a...
This Salem’s Lot is a fine enough way to kill a couple of hours, but it feels more like a highlight reel than a full adaptation.
This movie doesn’t reinvent the wheel; it doesn’t even polish the wheel. It just points to the wheel and hopes we remember how good it used...
“Maleficent” is a film that, against all odds, manages to be both a visual masterpiece and a decent retelling of a story we all thought we...
As the credits rolled on “Cruella,” the latest attempt by Disney to turn villain backstory into box office gold, it became painfully clear that the studio...
The second half of the movie decides to opt for an expository dump that feels like reading the film's Wikipedia plot summary out loud.
Night Swim tries to tread water in the realm of originality, yet can't seem to shake off the chlorine-scented shadow of its Amityville-inspired roots.
"You'll Never Find Me" is an enjoyably odd journey through the human psyche, with enough quirks and twists to keep you glued to your seat.
