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This Salem’s Lot is a fine enough way to kill a couple of hours, but it feels more like a highlight reel than a full adaptation.
This movie doesn’t reinvent the wheel; it doesn’t even polish the wheel. It just points to the wheel and hopes we remember how good it used...
“Maleficent” is a film that, against all odds, manages to be both a visual masterpiece and a decent retelling of a story we all thought we...
As the credits rolled on “Cruella,” the latest attempt by Disney to turn villain backstory into box office gold, it became painfully clear that the studio...
The second half of the movie decides to opt for an expository dump that feels like reading the film's Wikipedia plot summary out loud.
Night Swim tries to tread water in the realm of originality, yet can't seem to shake off the chlorine-scented shadow of its Amityville-inspired roots.
"You'll Never Find Me" is an enjoyably odd journey through the human psyche, with enough quirks and twists to keep you glued to your seat.
"Red Rooms" will undoubtedly find a niche audience, those who revel in the abstract and the undefined, who find beauty in the chaos of storytelling.
"V/H/S/85" is a mixed bag, a collection of hits and misses that, when viewed as a whole, offers a decent if not earth-shattering addition to the...
"V/H/S/99" is a great return to form for the series; it's a blazing declaration of the enduring power of horror.
