David F. Sandberg's time-loop horror clusterfuck is like watching someone play Russian Roulette with a Rubik's Cube whilst being chased by a photocopier that's achieved sentience...
Yes, the lead actress is good. Yes, kids might enjoy it. Yes, someone on the production team probably had the best of intentions. But intent doesn’t...
Final Destination: Bloodlines isn’t bad. It's just missing the atmosphere—the creeping, skin-prickling feeling that you’re being watched by something inescapeable.
Yes, there are some solid gothic visuals. Yes, Willem Dafoe is fun. But those things don’t make up for a film that’s so self-indulgent that it...
Did the film make me think? Yes, but only in the why did I bother? sense. Did it leave an impact? Sure—an impact in the way...
Moana 2 takes us back to the breathtaking world of Oceania, but unfortunately, this follow-up feels more like a haphazard detour than a grand voyage. Directed...
This movie doesn’t reinvent the wheel; it doesn’t even polish the wheel. It just points to the wheel and hopes we remember how good it used...
“Maleficent” is a film that, against all odds, manages to be both a visual masterpiece and a decent retelling of a story we all thought we...
As the credits rolled on “Cruella,” the latest attempt by Disney to turn villain backstory into box office gold, it became painfully clear that the studio...
The second half of the movie decides to opt for an expository dump that feels like reading the film's Wikipedia plot summary out loud.