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"Bring Her Back" is like a horror film that's been assembled from really good individual scenes without anyone checking whether they actually fit together into a...
Still better than most horror sequels, mind you. But that's like being the tallest person in a room full of sitting people - technically accurate, but...
It's not terrible, exactly. It's just... eh.
David F. Sandberg's time-loop horror clusterfuck is like watching someone play Russian Roulette with a Rubik's Cube whilst being chased by a photocopier that's achieved sentience...
Final Destination: Bloodlines isn’t bad. It's just missing the atmosphere—the creeping, skin-prickling feeling that you’re being watched by something inescapeable.
Yes, there are some solid gothic visuals. Yes, Willem Dafoe is fun. But those things don’t make up for a film that’s so self-indulgent that it...
Beetlejuice Beetlejuice delivers a few laughs and plenty of nostalgia, but it’s more of a one-time romp than a classic rewatch.
This Salem’s Lot is a fine enough way to kill a couple of hours, but it feels more like a highlight reel than a full adaptation.
This movie doesn’t reinvent the wheel; it doesn’t even polish the wheel. It just points to the wheel and hopes we remember how good it used...
The second half of the movie decides to opt for an expository dump that feels like reading the film's Wikipedia plot summary out loud.
