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"Red Rooms" will undoubtedly find a niche audience, those who revel in the abstract and the undefined, who find beauty in the chaos of storytelling.
"V/H/S/85" is a mixed bag, a collection of hits and misses that, when viewed as a whole, offers a decent if not earth-shattering addition to the...
"V/H/S/99" is a great return to form for the series; it's a blazing declaration of the enduring power of horror.
"V/H/S/94" is a triumphant return to the form that made the series a cult favourite.
"V/H/S Viral" feels like a party where only one guest truly understood the theme.
"V/H/S/2" feels like a sequel that knew it had big shoes to fill and decided to buy a new pair instead.
"V/H/S" is an anthology that's much like going through a box of chocolates, if some of the chocolates were filled with ghost peppers and others with...
"Possessor" is a film that elicits a mixed bag of reactions. It's equal parts thought-provoking and head-scratching, brilliant and befuddling.
"The Empty Man" starts off as a promising ghost story but loses its way halfway through, descending into a confusing mess of cultist nonsense.
While "The Other Side of the Door" may have its moments, they are overshadowed by its reliance on clichés and lack of originality.
